Archives for posts with tag: oil painting

I visited the Geelong Contemporary Art Prize recently. Forty-two painters make up a diverse show ranging from figurative and photorealistic painting to text-based and abstract work. I love painting and I enjoyed the wide range of styles and techniques used.

Adam Pyett’s Flowering Gum had deliciously thick paint and brushstrokes, scrapes and roughly applied patches of colour showing some of the underpainted canvas. I loved the sketchy and spontaneous quality of the work.

flowering_gum_detail

Flowering_gum_Pyett
Read the rest of this entry »

Interior in Yellow, oil, 1964

‘My chief interest, I think, has always been colour, but not flat crude colour, it must be colour within colour, it has to shine; light must be in it… The room is in my own home here, and the sunlight did not come in a definite way but the whole room seemed to be full of light, which is what I want to do more than the actual sunlight. I feel that even the shadows are subdued light and they must have light in them as well.’ 

Grace Cossington Smith (1892–1984) was one of the most innovative Australian artists of the twentieth century. An early modernist, her fascination with light and colour and her  interest in what she saw around her developed throughout the many phases of her work, culminating in the luminous interiors she painted in the 1950s and 1960s. Members of her family’s comfortable suburban milieu might have perceived her as a ladylike amateur; her fellow modernist painters, especially Roland Wakelin and Roy de Maistre, who were also students of Antonio Dattilo-Rubbo in Sydney, greatly respected her art. Dattilo-Rubbo was a passionate enthusiast of modernism and post-impressionism, introducing his students to the work of Cezanne, Gauguin and Van Gogh.

Interior with Wardrobe Mirror, oil, 1955I saw her Interior with Wardrobe Mirror, 1955, at the Art Gallery of NSW a couple of years ago and was struck by the vibrant colours and large rectangular flat brushstrokes that gave the work a mosaic quality. The juxaposition of pure colour is absolutely stunning in real life. I admire the way she uses colour fearlessly and the strong brushstrokes that seem to ‘dance’ on the canvas. Read the rest of this entry »

At long last I’ve opened a shop on Etsy, prompted by a lack of cash flow at the moment.

Please take the time to have a look. I’ll be adding more work in the next few days…

Untitled, Shannon SmileyToday I visited I thought I was where I wasn’t at C3 gallery at Abbotsford Convent – paintings by Shannon Smiley and pen and ink drawings by Helen Nodding. Shannon’s paintings are of fragments and forgotten corners of vegetation in the urban landscape that demonstrate the power of nature to reclaim our city environment. I find his paintings inspiring and powerful.

Helen’s meticulous pen and ink drawings are detailed examinations of everyday scenes – tree branches reflected in a ditch or a weed breaking through a footpath – beautifully recorded.

I entered these in the Toyota Community Spirit Emerging Artist competition. Wish me luck!

Take another little piece of my heart, oil on canvas, triptych, 2010

West Gate No. 1, oil on cardboard, triptych, 2011

Coloured pencil drawing

Here’s some work I did last year while studying Diploma of Visual Art at Victoria University, Melbourne.

Coloured pencil and pastel drawing

Red room, 2010, oil on canvas

One Drawing Daily

I've been drawing and painting and learning (almost) every day since the 9th September 2014

MissstA

Your new favourite band

anastasia klose

contemporary artist in Sydney/Melbourne AUSTRALIA

Evangeline's Apple

A tale of knowledge and power

Scott's Blog

Senator Scott Ludlam's blog